American Culture in the 1950s
Martin Halliwell 2007
E-Book: 312 English pages
Publisher: Edinburgh University Press
Price: 1000 Toman
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This book provides a stimulating account of the dominant cultural forms of 1950s America: fiction and poetry; theatre and performance; film and television; music and radio; and the visual arts. Through detailed commentary and focused case studies of influential texts and events – from Invisible Man to West Side Story, from Disneyland to the Seattle World’s Fair, from Rear Window to The Americans – the book examines the way in which modernism and the cold war offer two frames of reference for understanding the trajectory of postwar culture. The two core aims of this volume are to chart the changing complexion of American culture in the years following World War II and to provide readers with a critical investigation of ‘the 1950s’. The book provides an intellectual context for approaching 1950s American culture and considers the historical impact of the decade on recent social and cultural developments.
Review
The 1950s has been transformed in the scholarly literature from a “tranquillized” decade to an almost “tumultuous” one, and therefore is badly in need of a restorative balance. This is the achievement of Martin Halliwell’s superb account of a postwar period that, for all of its familiarity, remains tantalizingly elusive. By showing the persistence of the varieties of cultural modernism, he advances the retrospective understanding of a decade that was not merely the lengthened shadow of the Cold War. His book is thoughtful, expansive and engaging. — Stephen J. Whitfield, Professor of American Studies, Brandeis University, Massachusetts The author has a good command of the variety of cultural forms in the period and has planned the shape and contents of the book thoughtfully. — Professor Lucy Maddox, Georgetown University, Washington, D.C. The 1950s has been transformed in the scholarly literature from a “tranquillized” decade to an almost “tumultuous” one, and therefore is badly in need of a restorative balance. This is the achievement of Martin Halliwell’s superb account of a postwar period that, for all of its familiarity, remains tantalizingly elusive. By showing the persistence of the varieties of cultural modernism, he advances the retrospective understanding of a decade that was not merely the lengthened shadow of the Cold War. His book is thoughtful, expansive and engaging. The author has a good command of the variety of cultural forms in the period and has planned the shape and contents of the book thoughtfully.