Translating the Poetry of the Holocaust
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Download: Translating the Poetry of the Holocaust: Translation, Style and the Reader (Boase-Beier 2015)
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Taking a cognitive approach, this book asks what poetry, and in particular Holocaust poetry, does to the reader – and to what extent the translation of this poetry can have the same effects. It is informed by current theoretical discussion and features many practical examples.
Holocaust poetry differs from other genres of writing about the Holocaust in that it is not so much concerned to document facts as to document feelings and the sense of an experience. It shares the potential of all poetry to have profound effects on the thoughts and feelings of the reader.
This book examines how the openness to engagement that Holocaust poetry can engender, achieved through stylistic means, needs to be preserved in translation if the translated poem is to function as a Holocaust poem in any meaningful sense. This is especially true when historical and cultural distance intervenes. The first book of its kind and by a world-renowned scholar and translator, this is required reading.
Reviews
A stimulating and extremely determined attempt to get to grips with the relationship between text and context and the centrality of that relationship to our construction of meaning in general and to the practice of translation in particular. Whether Boase-Beier is using these reflections as an aid for the translator, or using the translation problem to get closer to the texts and our experience of them is largely irrelevant. (Tim Parks, Professor in Literature and Translation at IULM University, Italy 2014-10-23)
Author
Emeritus Professor, School of Literature, Drama and Creative Writing Associate Tutor, School of Literature, Drama and Creative Writing
Professor Jean Boase-Beier studied English and Linguistics at the University of Regensburg, Germany, where she also lectured in Linguistics and German and led a research project funded by the Deutsche Forschungsgemeinshaft (German Research Council) on Word Formation. She has taught Literary Translation, Linguistics, German and Stylistics at UEA since 1991 and set up UEA’s MA in Literary Translation in 1993. An Executive Committee member of the British Comparative Literature Association, member of the Advisory Panel of the British Centre for Literary Translation, and former Executive Committee member of the Translators Association, she is also a translator between German and English and the editor of the Visible Poets series of bilingual poetry books (Arc Publications).