Film Noir and the Cinema of Paranoia

Film Noir and the Cinema of Paranoia

Wheeler Winston Dixon 2009

E-Book: 192 English pages

Publisher: Rutgers University Press

Price: 1000 Toman

Download: Film Noir and the Cinema of Paranoia (Dixon 2009).

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Noir. A shadow looms. The blow, a sharp surprise. Waking and sleeping, the fear is with us and cannot be contained. Paranoia.Wheeler Winston Dixon’s comprehensive work engages readers in an overview of noir and fatalist film from the mid-twentieth century to the present, ending with a discussion of television, the Internet, and dominant commercial cinema. Beginning with the 1940s classics, Film Noir and the Cinema of Paranoia moves to the “Red Scare” and other ominous expressions of the 1950s that contradicted an American split-level dream of safety and security. The dark cinema of the 1960s hosted films that reflected the tensions of a society facing a new and, to some, menacing era of social expression. From smaller studio work to the vibrating pulse of today’s “click and kill” video games, Dixon boldly addresses the noir artistry that keeps audiences in an ever-consumptive stupor.

Review

“[Film Noir and the Cinema of Paranoia] offers an impressive catalogue of marginal and forgotten films of the studio era, accompanied by handfuls of Hollywood Babylon dirt for added impact [ . . .] noir addicts will [ . . .] walk away with one hell of a screening list.”

— José Teodoro, Film Comment (July-August 2009)

“Dixon is the intrepid sleuth of cinema studies, tracking down film noir in places where most of us never thought to look, seeing through the aliases and disguises – horror noir, western noir, musical noir, and more – that have kept its infinite variety in the shadows until now. Writing with nonstop energy and verve, Dixon explodes narrow definitions of noir as conclusively as the Great Whatsit blew up postwar innocence in Kiss Me Deadly. His timely, spirited book is a boon for film scholars, general readers, and movie buffs alike.”

— David Sterritt, Chairman, National Society of Film Critics

“Wheeler’s observations illustrate how paranoia, as constructed through the lens of film noir, proves more relevant than ever. A wonderful addition to the literature on film noir and film genres. Highly recommended.”

— Choice 2009-09-01

“Displays a true cinephile’s fascination with the gunslingers and femmes fatales of film noir, and the dark, uneasy world they inhabit. Wide-ranging and packed with compelling detail, this work will be an invaluable addition to the bookshelves of fans, academics, and completists alike.”

— Mikita Brottman Pacifica Graduate Institute 2001-01-01)

About the Author

Wheeler Winston Dixon is the James Ryan Professor of Film Studies, Coordinator of the Film Studies Program, Professor of English at the University of Nebraska, Lincoln, and, with Gwendolyn Audrey Foster, editor of the new book series Quick Takes: Movies and Popular Culture for Rutgers University Press. His recent books include Black & White Cinema: A Short History (2015); Streaming: Movies, Media and Instant Access (2013); Death of the Moguls: The End of Classical Hollywood (2012); 21st Century Hollywood: Movies in the Era of Transformation (2011, co-authored with Gwendolyn Audrey Foster); A History of Horror (2010); and Film Noir and the Cinema of Paranoia (2009). Dixon’s book A Short History of Film (2008, co-authored with Gwendolyn Audrey Foster) was reprinted six times through 2012. A second, revised edition was published in 2013; the book is a required text in universities throughout the world.